- Pricer
- Книги
- Учебники и учебные упражнения
- Lithuanian painting 1960-2013

Lithuanian painting 1960-2013

Product description
Aimed at both Lithuanian and foreign
audiences alike, this album presents the finest work by young
artists tracing the evolution of Lithuanian painting from the
revival of modernist painting in 1960 to the present day,
showcasing 358 paintings by 91 artists from the Modern Art Center’s
collection.
Collection curator Dr. Raminta Jurėnaitė
opens this album with a comprehensive introduction to the evolution
of painting in Lithuania, a discussion of the creative context of
certain historically significant pieces, and an overview of the
artistic movements and trends that characterized each decade
reviewed. Focus is devoted here on the individual contributions of
each artist, as well as a revealing look into the relationships
between various artistic groups: opposing and uniting, formal and
informal.
In preparation for this
publication, renowned art critics from abroad were also invited to
acquaint themselves with the collection presented here. Three
foreign art critics and curators contributed essays on Lithuanian
painting for this album: Edward Lucie-Smith, of the United Kingdom,
a leading authority on art criticism and contemporary art and the
author of a series of popular books on art that have been
translated into many foreign languages; Eckhart Gillen, of
Germany, recognized art historian and internationally acclaimed
exhibition curator; and Krzysztof Stanisławski, renowned critic of
Polish contemporary art and film and curator of numerous Polish and
Lithuanian art exhibitions. These essays contribute new insights
from the global art scene into ongoing Lithuanian art history
research. It is our hope that readers will find this material to be
an interesting and useful educational tool to understand how
Lithuanian art is being received in an international context.
We begin the album with the works of three artists
who were the anchors of classical inter-war modernism — Antanas
Gudaitis, Leonas Katinas and Algirdas Petrulis, and then continue
with the creative contributions of Jonas Švažas and his generation
of artists of the 1960s. This is followed by the works of Povilas
Ričardas Vaitiekūnas and his circle of artists, paintings by Kostas
Dereškevičius, Arvydas Šaltenis, and Algimantas Jonas Kuras, and
finally the artistic contribution of the newest generation of
artists, born after 1980. The album displays work not only from the
two main Lithuanian art hubs — Vilnius and Kaunas — but also the
creations of artists living and working in smaller cities and
towns. Also included here are artistic contributions from the
minority ethnic communities residing in Lithuania. The album
concludes with the biographies of 91 artists, with a listing of
their more significant exhibitions.
Until
now, no single album, book or directory has been published in
Lithuania that presented a comprehensive review of the evolution of
Lithuanian painting over the past five decades. It is our hope that
this publication, with its wealth of reproductions and its broad
overview of such a large number of talented painters, will promote
new interest in Lithuanian painting among art lovers, while
encouraging those already familiar with it to delve deeper into its
history.
A portion of this album’s
circulation will be published in English to increase awareness of
Lithuanian art among critics, curators, museum professionals,
collectors and art lovers abroad. We are also confident that this
album will serve as a wonderful educational tool in our centers of
learning.
This attractive publication will
be beneficial not only to the community of artists and art critics,
but will also, we hope, be of interest to the public at large. This
album is part of the continuing effort of the Modern Art Center to
develop the artistic education of children and adults, and to
record, preserve and promote the creative legacy of Lithuania’s
most talented artists, thereby encouraging our society’s pride in
its culture and the strengthening of the Lithuanian
identity.